Friday, January 24, 2020

Implementation of solution :: Computer Science

Implementation of solution Resources The hardware and the software are the main resource which I have used, in which is essential because one can’t work without the other working. Hardware is the actual pieces of equipment in an information processing system that we can touch and see. Examples are: - Keyboard - Mouse - Printer Software are the programs which are written to assist computer users, they cannot be touched. Examples are: - Data - Memory - Programmes The hardware that I used Pentium three was the system I have used, which has the speed of 1 Giga hertz 512 mega bytes ram (random access memory), 39 Giga bytes hard drive. It also has a sound card, graphic card and network card. A 17 inch monitor, standard floppy drive, a 52x speed CD-ROM and access to the internet. The printer I have used were the colour inkjet X7100 (Lexmark),The mouse and then keyboard input all the information. Here are the peripherals I used: - Keyboard- it is a device, which each and every computer has, which enables the input of data by pressing the precise keys on the keyboard. - Mouse- It is also an input device designed to fit under the palm of a hand while it is being moved around on a table or mat. It is around the size of a human palm and very easy to use. Moving the mouse produces movements of a cursor or a pointer on the monitor screen. It is provided with one, two or three buttons. - Monitor- it is in other words called a screen, in which allows us to see the processed data and it is an input device as well as an output device. For the use of a computer a monitor is needed, so the monitor is a vital part of a computer. - Printer- this is another peripheral device, which produces the hard copy of the document, which I chose on the screen. - Central processing unit (CPU) - of a computer is the main part of the computer. It contains the processor, the main store and various circuits needed to communicate with devices outside it. It is the part, which will process all my data and without this their would be no computer. - Disc drive- this is the part of the computer that allowed me to read the data, which I stored and saved on the floppy disc. - Floppy discs- it is a light, flexible magnetic disc held in a protective jacket, which is easily transportable unlike the hard drive that cannot be moved from one place to another. This is a form of backing up data and allows me to save data, which I find very

Thursday, January 16, 2020

Edgar Allan Poe: Narrative Structure in “Ligeia” Essay

Known for his flowing descriptive and gothic style, Edgar Allan Poe does not appear to develop any obvious narrative structure in his work. His short stories are generally identified with the gloomy, desolate, and horrifically shocking sensations they spark within the reader. Particularly in his short story, â€Å"Ligeia,† Poe seems to have done away with any sort of apparent structure within the story. Rather, he portrays it as a mixture of somewhat chronological events combined with the wandering thoughts from the eccentric mind of the narrator. However, narrative structure lies beyond the simple storyline of plot and can be revealed within many other elements of a story. In â€Å"Ligeia,† the elements of theme and repetition play an important role in developing and maintaining its narrative structure. In particular, Poe seems to stress one interestingly repeated quote, as it appears four times throughout the story. â€Å"Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will† (1, 1, 4, 7). From the continual emphasis of this quotation, there arises a principle notion of a tension between the predominant themes of life and death. Furthermore, this notion constitutes the backbone of the story from which all other recognizable themes subsequently branch from. The themes of death, guilt, life, and opium – the factor that questions the validity of all – provide recognizable markers to the overriding theme of the tension between life and death within â€Å"Ligeia.† The pervading theme of death fills Poe’s writing and creates an omnipresent atmosphere of dark apprehension. The movement of the text incessantly alludes to the upcoming death of Ligeia. All the familiar characteristics of her person (her wildly effulgent eyes, her interest in the narrator’s studies†¦) gradually fade away in Poe’s description of her illness. â€Å"And  now those eyes shone less and less frequently upon the pages over which I pored. Ligeia grew ill† (5). The death of Ligeia renders her husband completely helpless and continually longing for her. â€Å"Without Ligeia I was but as a child groping benighted† (5). This fruitless despair and misery thus sets the tone of irresolution for the rest of the story. Furthermore, it also adds to the structure of the narrative by substantiating the life and death tension. By juxtaposing this feeling of continual yearning with the shock and irony of the necromancing of Ligeia, the surprise ending of the story is further emphasized. This motif of sickness and death again reappears as the Lady Rowena falls deathly ill. Typical of his depressing style, Poe creates a more terrible and incurable sickness for the second wife. â€Å"Her illnesses were [†¦] of alarming character, and of more alarming recurrence, defying alike the knowledge and the great exertions of her physicians† (9). Continuing to accentuate the horror and angst of death, Poe describes the corpse of Lady Rowena vividly. [†¦] The lips became doubly shriveled and pinched up in the ghastly expression of death; a repulsive clamminess and coldness overspread rapidly the surface of the body; and all the usual rigorous stiffness immediately supervened. (11) This slow anti-climactic death continues to the keep hopes of the narrator and the reader fluctuating, maintaining the feeling of unresolve. The anxiety exhibited within the irresolution of death therefore supports the structural theme of the tension between life and death. A more subtly conveyed theme, guilt, continues this trend of unease. This self-blame originates from the narrator’s subconscious jealousy of Ligeia’s intellectual superiority. She maintains the leadership in their marriage. The narrator obviously adores her and is extremely aware of her intellectual strength over him. Proclaiming that she maintains unquestionable supremacy of knowledge, the narrator unintentionally develops this jealousy. â€Å"[†¦] The [intellectual] acquisitions of Ligeia were gigantic, were astounding† (4). He seems to conceal a slight resentment of her scholarly dominance. This becomes noticeable as he states that he renders himself a child in  comparison to her authority. â€Å"[†¦] I was sufficiently aware of her infinite supremacy to resign myself, with a child-like confidence, to her guidance [†¦]† (4). With a certain bitterness, he later repeats, â€Å"Have I ever found Ligeia at fault?† (4) It can even be implied that after the narrator reaches the limits of her knowledge, he almost wills her death. Being so caught up with learning worlds of information through her guidance, he is incredibly disappointed when he discovers a boundary to this freely give wisdom. From these implied feelings of jealousy and disappointment, he understandably feels incredible guilt and remorse after her death. This could be one of the reasons he obsesses over her death. Because of these circumstances, the resulting unsettled atmosphere of tension reinforces the tension of Ligeia’s death. Challenging the despondency of death, the immeasurable will of life eventually overcomes death, thus breaking the tensions between the two. Ligeia provides the source for this will. Her fight with death portrays her strength of character most effectively. The narrator continually emphasizes her spirit with repetition of words. â€Å"Words are impotent to convey any just idea of the fierceness of resistance with which she wrestled with the Shadow. [†¦] In the intensity of her wild desire for life -for life —but for life [bold mine] – solace and reason were alike the uttermost folly† (5). As Ligeia repeats her famous quote (â€Å"Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will† (7)) twice before dying, her resolute determination not to give herself to death proves undeniable. Her repetition of this quote could be thought to signify that she can only die if she resigns herself to be weak and feeble – that she will return to life because her will to live surpasses death itself. It could also be thought of as Ligeia’s last request to her husband – telling him that if his will is strong enough, he can bring her back to life. Whether or not the narrator understands what she says, he acts accordingly. Never does he forget Ligeia or stop thinking of her. Feeling that he needs to fill the void that Ligeia left, he quickly marries the next available woman, Lady Rowena. While comparing Ligeia to his second wife, however, he becomes further embittered and his will for Ligeia to return to life becomes more fanatical. He admits of Rowena, â€Å"I loathed her with a  hatred belonging more to demon than to man. My memory flew back [†¦] to Ligeia, the beloved the august, the beautiful, the entombed† (9). At times, Ligeia’s desire for life combines with his yearning for her and the prophecy almost becomes real. â€Å"Now, then, did my spirit fully and freely burn with more than all the fires of her own. [†¦] as if [†¦] I could restore her to the pathway she had abandoned [†¦] upon the earth† (9). Immediately after this line is mentioned, Lady Rowena becomes ill with a â€Å"sudden illness.† The narrator, perhaps unconsciously, seems to be med dling with the connection between life and death. During Rowena’s many fluctuations between life and death, it becomes obvious that the narrator’s thoughts are controlling the state of his current wife. As he concentrates on attending her and watching her closely, she falls back into death. As he reminisces about Ligeia, however, the corpse becomes alive again. One may suspect that Rowena has died days ago and the glimmer that is Ligeia returns only when the narrator wills it. Ligeia’s final transformation into the living ends the novel with a bang. After all the narrator’s lament and yearning for Ligeia to live again, his reaction is one more of horror than of happiness as he â€Å"shrieked aloud† (13) after his discovery. Perhaps because of his guilty conscience, the narrator responds with fear of her rather than love and he is finally forced to come face to face with his guilt. Consequently, this will to conquer death confronts the tensions between life and death head on and thus shattering them . The final major theme permeating the plot, opium use, questions the validity of the narrator’s accounts such as reviving the dead. Not so subtle hints to the narrator’s opium use fill the narrative. He admits numerous times to having used the drug and that it affects his mind. After suffering the pain and loss of losing his love, the narrator resorts to opium to blur the sharp reality of this anguish. â€Å"I had become a bounden slave in the trammels of opium, and my labors and my orders had taken a coloring from my dreams† (7). Furthermore, when he describes seeing the ghost of Ligeia and the drops of red fluid in the wine, he questions his state of mind several times. â€Å"But I was wild with the excitement of an immoderate does of opium [†¦] I considered [†¦] [the circumstance to] have been but the suggestion of a vivid imagination, rendered morbidly active by the terror of the lady, by  the opium [italics mine], and by the hour† (10). Before his vision of the living Ligeia, there are at least three specific references to the narrator having used opium the page before. Consequently, his account is definitely questionable. In addition, the accounts the mysterious â€Å"noises† and â€Å"visions† of Rowena can also be questioned as it was common to give opium to those suffering from Tuberculosis (which is what was Rowena was hypothesized to have). The narrator’s opium use could be part of the source of tension so prevalent in this story. Because of his constant dream-like state, it is probable he creates tensions that are not there such as believing he can control the state of Ligeia (causing her death, willing her back to life†¦etc.). Of course, it is also possible that Ligeia never did return to life and he had fallen into another opium dream. The numerous opium references diffused throughout â€Å"Ligeia† intensify the narrative structure by adding the element of doubt to the narra tor’s account. These major elements from â€Å"Ligeia,† death, guilt, life, and opium use, directly reinforce the main structural element holding the narrative together, the life vs. death tension. All four complement each other as well – for without one, the other ones would not be complete. Without the pervading theme of death, the will to overcome death would not be as shocking. Without the acknowledgement of the opium usage, the story might be taken literally and simply pinned down as a surreal fantasy. With the knowledge that the story is told through the misty veil of opium, however, the possibility exists that the there exists no supernatural elements at all and only a narrator in a dreamy state-of-mind. Thus, although â€Å"Ligeia† seemingly lacks structure initially, its structure subsists within the interweaving of these four prevailing themes.

Wednesday, January 8, 2020

Andrew Jackson s Views On The Election Of 1824 - 1483 Words

Andrew Jackson’s path to presidency was unique. In the election of 1824, there were four main candidates, John Quincy Adams, Henry Clay, William H. Crawford, and Andrew Jackson. Jackson gained the most popular votes of the four Democratic-Republican candidates, but not the majority of electoral votes to win the election. Henry Clay, who was eliminated from the election, held a decisive position as the speaker of the House of Representatives. Clay was in a position to throw the election to the candidate of his choice. Clay threw his support behind Adams since he had led some of the strongest attacks against Jackson. Rather than the nation’s presidency go to a man he abhorred, Clay secured the White House for Adams. In return Adams named†¦show more content†¦Northerners supported tariffs because tariffs helped them compete with British factories. The South’s economy was based on farming. Southerners imported their manufactured goods. Tariffs made imported goods more expensive for southern farmer which led to their opposition. Angry Southerners called the tariff the Tariff of Abominations. The new tariff added fuel to the growing sectional differences plaguing the young nation. When Andrew Jackson took office in 1829, he was forced to respond to the growing conflict over tariffs. Vice President John C. Calhoun joined his fellow southerners in protest when Congress passed the Tariff of Abominations. In response to the tariff, Calhoun drafted the South Carolina Exposition and Protest. It urged states to nullify the Tariff of Abominations and used it to argue that since the states created the national government they decided when the national laws apply. Calhoun’s theory was controversial, and it drew some fierce challengers. Many of them were from the northern states that had benefited from increased tariffs. These opponents believed that the American people, not the individual states, made up the Union. 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